edited by Sheila Kim-Jamet -- Interior Design, 1/1/2005 12:00:00 AM
In the Wings
The Henry Luce Foundation has helped make visible storage the solution to an increasing number of museums' art-overflow problems. The latest is New York's Brooklyn Museum. On January 14, 1,500 objects go on view in the Luce Center for American Art: Visible Storage/Study Center, a 5,000-square-foot space designed by the curatorial staff.
Circle of Friends
In the 1920's, photographer Alfred Stieglitz turned collector Duncan Phillips on to home-grown modernism. "In the American Grain: The Stieglitz Circle at the Phillips Collection"—at the Norton Museum of Art in West Palm Beach, Florida, on February 19—includes Georgia O'Keeffe's painting Red Hills, Lake George.
Pull Up a Chair
A scholar, an educator, a filmmaker, and a designer collaborated on "Chairs" at Boston's Isabella Stewart Gardner Museum. Starting February 11, the show looks at the history and cultural importance of this iconic seating type, drawing on the photographs of the Gardner's artist in residence, Dayanita Singh, as well as on multimedia presentations and the museum's permanent collection.
This year, the annual symposium at New York's Fashion Institute of Technology draws connections between art and glamour—and goes beyond just clothing. During the two-day event, on February 25 and 26, San Francisco Museum of Modern Art curator Joseph Rosa will dissect SFMoMA's recent "Glamour, Fashion, Industrial Design, Architecture."
Before Yoshio Taniguchi's Museum of Modern Art in New York, there was Michael Maltzan's MoMA Qns, the Long Island City factory he converted into an interim facility. From February 12 at the Carnegie Museum of Art in Pittsburgh, catch his first complete monographic exhibition, which includes this apartment complex model.
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